September 18, 2010

Talk About Treatment Before

Working pagination tonight/morning. Doing it with mini prints of each page spread. So it's kinda like playing with a 1/8 scale RR set or a 1/8 scale of a TAS book.

Talked a bit with my buddy and great designer/artist Matt Lane Harris about the initial state of my thoughts & layouts; to which he had a bunch of really good points to make regarding introduction and overall tone. His main point for me on that conversation was that the pagination would dictate the over-all feel for the work as a whole. He expressed Pop... I want "Process Pop Povera"... so we'll see If I can eliminate items and re-work the page structure. I've already eliminated (3) spreads again. The first output of this book had 56 pages and I have been killing (refining) pages ever since.

September 14, 2010

Dropped Sealed Beam

Still cranking out the book. I have a few more things that i need to photograph. Layouts are coming along pretty well.

September 10, 2010

September 09, 2010

Goes Down Can't Be Found

With a little over 2 weeks before I have to fly to NYC and present my work, I've started the basic structural layouts of the presentation book I'm putting together for use in my casting interview process. It's going to be a horizontal 11x17 format. While some people might just have simple photos of work on white walls, I'm taking the approach that the graphical presentation of the work can lend itself favorably to the work as well. So I'm working on a base grid structure that I'll be working my layouts in. Pages will vary in format. Some will be heavily loaded with multiples of certain pieces (Donuts, Correspondences, 365 Pixel Project, etc), while others will be more light and only feature one piece in the layout. Other aspects that I want to interject into the layouts are details of the works and also possible photos of the works in progress, since the process for me is very important to the end product.

I have a good portion of the work already photographed, but last night I was pulling a large amount of work aside that I haven't shot or know whose photos are not that great if I need to print them in a 300dpi format. I also have some large sculptural pieces that have never been fully assembled that I need to shot in some environment as well.

Still not sure how I'm going to bind everything together, but I'll figure out something clean. I'm excited about the layouts. I think it's gonna be a real nice presentation of my body of work. The plan is to break everything out into sets and collections and then weave the work together in the pagination. I'll also be including small typographical info bits as well.

MAILING TRANSFERRAL
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KANKA - Counterfeit Fakery (4x6 postcard)

September 08, 2010

Girlfriend Small Ball

I got my casting information from BRAVO last night for their Work of Art program. Had the option of traveling to Chicago, LA or NYC to interview (nothing near at all). So I jumped online and forced myself to purchase a round trip ticket for NYC that I'll be using end of this month. It was my best option given location and timing and people I know in the city.

So over the next 2 weeks plus, I need to bust ass and get all my work collected into a book I can present live and also port to DVD in jpeg format. I have a feeling I'm going to be doing a lot of studio photos to put together a reasonable ensemble of my different bodies of work. A good portion of the work has been photographed but there are some things that haven't. There will probably be 6-8 main bodies I'll focus on and then I'll see which ones I'll present finally. My motto is the more the better. You can always get cut short while presenting work, but I've never run into the problem of running out of work to show. It's just how I do things. I'm also trying to find a kind soul to put me up for a few nights while I'm in NYC too... we'll see which Facebook friends step up. I'm frantic now... I never thought this casting call would come down so damned quick.

So... Barker was taking photos of his scrambled television the other day. Very much akin to how I've been tracking down and looking at degraded encoded video files. I really liked this one that he pulled so I wanted to play with it a bit.

I got Barker on the phone last night for a number of reasons, but one reason was to ask him about the logistics of his TV set-up to achieve these effects. He informed me that he was using a rabbit ear digital tuner, but that his living space is in such a place that doesn't receive the best signals. So he ends up with this scrambled view of things. What was most interesting is that he said the picture would get stuck with an image like this on it for a few minutes. I had figured it was a moving pattern of distortion but it's static and changes every so often. Pretty rad television I think. He mentioned he was watch women's swimming or something to that affect.

September 07, 2010

Kick Off Close Out

Some postcard action happened this weekend. Setting up some methods that I'm taking over to a few different paintings to round out this season.

I have one show coming up quick that I'm putting work in which I need to knock out. I haven't listed it on the homepage yet either, but it's a silly little show about summer vacation at MINT Gallery here in town. Guess I should refresh myself with the theme since I'm building the piece (whatever it may be) this weekend. So lets see it's actually called - "What I Did On My Summer Vacation...". Fun little group show vibe... so I'll have to make something that is rather electric I suppose. Something about summer vacation huh... well lets see... what did I do? Well, I drank and goofed off for the most part. This is gonna be tuff.

September 03, 2010

Verging On Others


MAILING TRANSFERRAL
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BARKER - Pepto-Bismol Varient 13 (4x6 postcard)

September 02, 2010

French Course Exposure

MAILING TRANSFERRAL
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BARKER - Pepto-Bismol Varient 12 (4x6 postcard)

September 01, 2010

Pale Formations In Ceiling Tile

Just got my vintage 1st edition copies of 'An Unhurried View of Erotica' by Ralph Ginzburg. I have (2) versions as you can see below. The 'Limited Edition' and the 'Connoisseur's Edition'. In a previous post I was talking about the (4) issues of EROS that Ginzberg had published, which had him brought up on obscenity charges. 'An Unhurried View of Erotica' is interesting for historical perspective in how far things have come in the past fifty years than for its actual subject matter... which is a brief survey of erotic literature then available only to serious researchers with access to collections that were otherwise kept from public view. In this book Ginzberg draws the parallel between witchcraft and obscenity, that society now pursues the same shameful action against erotica as it once did against the supposed representatives of the devil.

Introduction

At the time when I read newspaper reports of the California libel trial of a magazine that published lurid material about the sex-life of movie stars, my train of thoughts ran to memories of Vienna of my youth. I realized only later on that I must have compared the mental attitude of my native town to sexuality with that of Hollywood because a scene from one of Arthur Schnitzler's plays came to mind. A young man about town encounters a lady of his acquaintanceship: "I have heard many bad things about you, madame," he says. "Let me hope that they are true."

There was as much interest in and gossip about the affairs of heart and plain affairs of celebrities in Vienna as in Hollywood. The satirist Karl Kraus stated that a man taking a walk with a woman on the Ringstrasse was, so to speak, automatically considered her lover. When he was seen walking with a male friend he was considered a homosexual and when he walked alone, the Viennese were convinced that he was a masturbator.

There was enough gossip, mostly allusive and often witty, but there was, of course, no magazine-publicity nor scandal-gathering agency. There was not that lip-smacking, self-conscious and impudent vicarious enjoyment, not that hypocritical moral indignation. There was not that atmosphere of latent puritanism that sees sex as something sinful and rejoices in discovering that other people have sexual functions and desires.

Rumors were not taken with a grain of salt, but of sugar and sexual matters were treated casually, if not jokingly. The Viennese shared the conviction of old, wise Anatole France who then wrote that of all sexual aberrations chastity is the strangest.

This little book deals with the universal interest the Anglo-Saxons had and have in all aspects of sex in a surprising manner. It shows the powerful under-current of pornography that runs faithfully with the great stream of literature. It follows the erotic trend that moves under the surface of literature from its beginning of the Anglo-Saxon Exeter Book until the pornographic works of our time. The author will readily admit that his book about the erotica in England and America is fragmentary and incomplete, but who can register all the waves of that unending stream?

It is certainly unnecessary in this age of psycho-analysis to state that this book has great scientific value. It shows which components of sexuality and which disavowed impulses strive for satisfaction and which appeal to the appetite of the average man (and woman) of America and England. The excerpts from erotic literature and the data here collected present valuable contributions not only to sexology, but also to the exploration of the life of unconscious emotions. The material here presented will be of great interest to the psychologist and psychiatrist, to the sociologist and historian of civilization and last, but not least, to the connoisseur of literature. Also the bibliophile will find many data, unknown to all, about publications and collections of erotica.

The attentive and thoughtful reader of this book will find that it touches serious problems between its lines, problems intimately connected with the situation of our civilization. If erotica exercises such a passionate spell and awakens such general interest, can we still say "ugly as sin"? It seems sin is very attractive to most, if not to all of us. If it were as repulsive and ugly as they say, why should so many and forceful prohibitions be necessary?

The author justifiably includes the scatological interest in the area of erotica. The discoveries of psychoanalysis and of analytic child-psychology leave no doubt that the functions of evacuation are not only biologically but also psychologically intimately connected with those of sexuality. Yes, in early childhood they cannot be differentiated. Also in the neuroses and psychoses they can replace those of genital trends.

John Wesley's saying that cleanliness is next to godliness becomes very debatable when we find that dirt often functions as excellent protection of virtue that is endangered. Freud told us, his Viennese circle, a telling epigram of Brouardet whose lectures he attended in 1885 when he was a student of Charcot in Paris. Brouardet demonstrated at the Morgue on corpses many parts of neglected evidence, interesting to the physician. He discussed the clues by which one could conjecture the social position and character of unknown persons found dead. Freud heard him once say: "Les genoux sales sont les signes d'une fille honnête." Dirty knees are characteristics of a "nice" girl! Should cleanliness thus be more akin to vice than to virtue? No doubt, the godliness of some saints smelled to high heaven.

We welcome this courageous book that presents a valuable piece of conscientious research.

THEODOR REIK
New York, September, 1957


MAILING TRANSFERRAL
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BARKER - Pepto-Bismol Varient 11 (4x6 postcard)

August 31, 2010

Accessible Consumer Charges

Photo from Kutzbach. Definitely a dark day in Buffalo, NY.
I find the hand written signs on both of these machines pretty interesting. Notice how they were done by the same person... presumably at the same time, yet on the one to the right, they break the wording after 'of'. As a person who deals with type all day and the repetitive act of mark making in my art I find it funny that both hand written signs do not match each other identically. It makes me wonder which one was written first.
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These are some of the many observations and thoughts that go through my head on a daily basis. Real interesting right.
MAILING TRANSFERRAL
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BARKER - Pepto-Bismol Varient 10 (4x6 postcard)

August 30, 2010

Locations Might As Well

Got an envelope piece of art in the mail from Barker today. It's a pretty great mail piece. A lot happened to it on it's trip to my mailbox.
It got this great sticker placed on the front of it because Barker did some interesting things:

1. Wrote my address out as 69 Golden Pine Rd... instead of the correct 59 Golden Pine Rd.
2. Put a street abbreviation and then crossed it out and wrote Ha Ha! next to it.

Real good work Barker.
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I've been instructed by the USPS to notify you Aaron Barker, the sender, of my complete and correct address. It is as follows:

Thomas Arthur Schaefer
59 Golden Pine Road
Austell, Georgia 30168

THE AARON BARKER SHOPPING LIST:
01. chicken breasts
02. cheese
03. ice cream
04. frozen foods
05. salad
06. garbage can
07. rubber boots
08. blls wire
09. butter
10. juice
11. stomach medicine
12. eggs eggs
13. cookie dough
14. tea
15. salsa
16. tortillas
17. olives
18. bbq sauce
19. freezer bags
20. toilet paper
21. laundry detergent
22. super glue
23. bread
MAILING TRANSFERRAL
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BARKER - Pepto-Bismol Varient 09 (4x6 postcard)

August 27, 2010

Operation Out Of

Busy working on a few fresh sets of cards. Doing my recycled materials postcards for a number of these. There are some coming up that I'm creating with oil painted portraits different people and another set with some colored pencil portraits. Trying to make sure and take a little more time with my old school techniques on some of these this round.
Figured out what to do with a large amount of rejected drawings I've done. These (3) were from 2004. Just fold them in half. Glue together. and cut a postcard out of it. WHAM! Instant two-sided postcard. I like this method of working a lot. The drawing all had small areas that were interesting but as a whole the entire composition did not gel. By forcing the piece to be folded in half and then giving oneself a limited amount of space in which to select/crop/cut the postcard shape you accomplish two things:

1. You allow for the "small area" to take on more power by splitting the composition space surrounding it by less than half the original composition. A smaller more focused composition is thus generated.

2. You create 2 like, but broken sides that tend to already play with each other back and forth without having to create 1 side and then the other. In short... you are creating both the front and the back of the postcard in one process.

August 26, 2010

Radio Friends Make It

MAILING TRANSFERRAL
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BARKER - Pepto-Bismol Varient 08 (4x6 postcard)
STRICKLAND - Abstract 02 (abstract postcard)

August 25, 2010

Pulse Called Due To Pronounced Clearing

Just got my vintage set of EROS in the mail today. This is the full set too, in pretty great condition. Volume One, Number One was issued on Valentine’s Day 1962.

In 1962, Ralph Ginzburg began publication of his first major work, Eros, which was a quarterly hardbound periodical containing articles and photo-essays on love and sex. Herb Lubalin was the art director and second on the masthead. Only four issues of Eros were published, largely because Ginzburg was indicted under federal obscenity laws for the fourth issue.

No. 1 (Spring, 1962)
The cover was mustard-coloured and featured "an embossed playing card of Bluebeard and one of his maids". The issue included short stories by Ray Bradbury and Guy de Maupassant, an extract from Eric Partridge's "vulgar dictionary" and poems by John Wilmot, 2nd Earl of Rochester.

No. 2 (Summer, 1962)
The cover of No. 2 pictured a young couple in swimsuits, kissing passionately; it was printed in two colors, black and greenish-yellow, with a red-orange logo. The inside covers repeated the theme in red (front) and blue (back). It featured photo essays about John F Kennedy, French prostitutes and erotic statues in India, the first publication in a magazine of Mark Twain's short story "1601" and "an antique patent submission for a male chastity belt"

No. 3 (Autumn, 1962)
Issue no. 3 was centred on an 18-page photo shoot of the recently deceased Marilyn Monroe (the pictures were taken by Bert Stern six weeks before her passing). It also featured a piece by Bonnie Prudden, an extract from Fanny Hill and an article on Samuel Roth.

No. 4 (Winter, 1962)
This issue published a letter by Allen Ginsberg, a profile of Frank Harris, and 'an eight-page "photographic tone poem"' titled "Black and White in Color" featuring a nude interracial couple.

Some pages from Marilyn's last studio photo shoot, also her last nude shoot. These layouts are great. The scratches and orange crosses on many of the photographs are not defects. They were made by Marilyn Monroe herself, her own reactions to various shots that showed a strand of hair out of place or a pose she felt was somehow awkward. The publishers thought her markings were so interesting that they decided to leave them in.

U.S. Attorney General Robert Kennedy indicted Ginzburg for distributing obscene literature through the mails, in violation of federal anti-obscenity laws. The indictment, although full of counts, really comprised three allegations of obscenity: First, publication of Volume I, No. 1, of Eros; second, publication of his newsletter Liaison; and third, that although The Housewife's Handbook on Selective Promiscuity, published by Ginzburg, was not itself obscene because of its inherent artistic value, Ginzburg has mailed advertisements for the book which accentuated the erotic content of the book in such as way as to appeal to "prurient interests". The advertising emphasized their sexual imagery, and included a guarantee of a full refund "if the book fails to reach you because of U.S. Post Office censorship interference."

The following were the portions of the advertisements that the district court found to "pander to prurient interests":

"Eros is a child of its times. . . . [It] is the result of recent court decisions that have realistically interpreted America's obscenity laws and that have given to this country a new breadth of freedom of expression. . . . EROS takes full advantage of this new freedom of expression. It is the magazine of sexual candor."

"EROS is a new quarterly devoted to the subjects of Love and Sex. In the few short weeks since its birth, EROS has established itself as the rave of the American intellectual community - and the rage of prudes everywhere! And it's no wonder: EROS handles the subjects of Love and Sex with complete candor. The publication of this magazine - which is frankly and avowedly concerned with erotica - has been enabled by recent court decisions ruling that a literary piece or painting, though explicitly sexual in content, has a right to be published if it is a genuine work of art. EROS is a genuine work of art. . . ."

The outer envelopes of the Liaison flyers asked, "Are you among the chosen few?"

The first line of the Liaison advertisement: "Are you a member of the sexual elite?" . . . "That is, are you among the few happy and enlightened individuals who believe that a man and woman can make love without feeling pangs of conscience? Can you read about love and sex and discuss them without blushing and stammering? If so, you ought to know about an important new periodical called Liaison. . . ."

"In short, Liaison is Cupid's Chronicle. . . . Though Liaison handles the subjects of love and sex with complete candor, I wish to make it clear that it is not a scandal sheet and it is not written for the man in the street. Liaison is aimed at intelligent, educated adults who can accept love and sex as part of life. . . I'll venture to say that after you've read your first bi-weekly issue, Liaison will be your most eagerly awaited piece of mail."

The defendants sought mailing privileges from the postmasters of Intercourse and Blue Ball, Pennsylvania, before settling upon Middlesex, New Jersey, as a mailing point.

Inserted in each book advertisement was a slip labeled "GUARANTEE" and reading, "Documentary Books, Inc. unconditionally guarantees full refund of the price of THE HOUSEWIFE'S HANDBOOK ON SELECTIVE PROMISCUITY if the book fails to reach you because of U.S. Post Office censorship interference."

It was this last act which was most important to the legal community, because it established new law: although neither the book nor the advertising mailer were themselves obscene, the advertisement attempted to sell the book by characterising it as obscene, which violated the federal law (and was permissible under the First Amendment). Writing for a 5-4 majority, Justice Brennan held that in a close case, evidence that a defendant deliberately represented the materials in question as appealing to customers' erotic interest could support a finding that the materials are obscene. He wrote: "Where the purveyor's sole emphasis is on the sexually provocative aspects of his publications, that fact may be decisive in the determination of obscenity" even if the publications examined out of context might not be deemed obscene. Ginzburg was sentenced to five years in prison but ultimately served only eight months.

The case was clearly a troubling one for the Supreme Court. Even the prosecutors feared that all three publications had enough intrinsic artistic and social value to pass the Roth test, which was at that time the standard by which the Court decided criminal obscenity cases.

After a brief trial in June, 1963, Ginzburg was convicted in Philadelphia by the U.S. District Court for the Eastern District of Pennsylvania. The U.S. Court of Appeals for the Third Circuit affirmed the conviction in 1964, and two years later the U.S. Supreme Court announced its decision, also affirming the conviction, in Ginzburg v. United States, 383 U.S. 463 (March 21, 1966). The same day, the Court announced its decision in Memoirs v. Massachusetts (commonly known as the "Fanny Hill case" after the informal title of the John Cleland novel at the heart of the judgment). This case declared that the First Amendment would not allow a work to be banned unless it was "utterly without redeeming social value"—a legal proviso that troubled some commentators, who felt that Ginzburg had been convicted for three works they deemed more "socially valuable" than Cleland's antique work of unvarnished erotica.

Immediately after the Supreme Court decision was announced, the public and mainstream press were heavily supportive of the decision. One person who had no problem supporting Ginzburg was Allen Ginsberg, who traveled to Washington and picketed the Supreme Court building.

August 23, 2010

Banging Three Times

Making new postcards. Lots of porno and paper.

MAILING TRANSFERRAL
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BARKER - Pepto-Bismol Varient 07 (4x6 postcard)
KANKA - Daddy Lynch Long-legs (3x4 postcard)
STRICKLAND - Abstract 01 (abstract postcard)

August 22, 2010

August 20, 2010

Deliberate Confusion Of Memory

MAILING TRANSFERRAL
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BARKER - Pepto-Bismol Varient 06 (4x6 postcard)

August 19, 2010

Adjacent Frozen Shafts

MAILING TRANSFERRAL
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BARKER - Pepto-Bismol Varient 05 (4x6 postcard)
KANKA - Girl Red (abstract postcard)

August 18, 2010

Hour Pleasure

How a Mac user deals with a shitty Windows keyboard when using Photoshop on a shitty Windows machine.

MAILING TRANSFERRAL
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BARKER - Pepto-Bismol Varient 04 (4x6 postcard)
KANKA - Blue Vegas Girl (abstract postcard)

August 17, 2010

Block Out The Neighbors

Some saki and Sapporo while starting to put together a really large set of new donut frames. Going to be rolling out a few hundred new ones over the next few months. They will all be available for purchase online. Good times with food!

August 12, 2010

Closed Wall Discussion


MAILING TRANSFERRAL
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BARKER - Pepto-Bismol Varient 03 (4x6 postcard)

August 10, 2010

Wearing Lance Henriksen's Boots


MAILING TRANSFERRAL
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BARKER - Pepto-Bismol Varient 02 (4x6 postcard)
KANKA - Black Cat (3x5 postcard)

August 09, 2010

Inherited Assumptions Of Albert Barnes


MAILING TRANSFERRAL
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BARKER - Pepto-Bismol Varient 01 (4x6 postcard)
KANKA - Firecracker Test (3x5 postcard)